Dream Stream Supreme


My Space


How My Space Changed the Virtual Landscape at the Start of the Twenty-First Century.
Jennifer Lorraine Fraser



"The future of Myspace is about what you’re going to do. About who you’re going to become,"


……….Justin Timberlake


The story of My Space is dramatic and dynamic. It is constantly shifting its identity and changing its course. The constant theme of My Space is that it is a forum for strangers to become acquaintances, then ‘friends’ and to build their own ‘e-universes’ around common cultural likes and dislikes. It is not afraid to rebrand and sell itself when the going gets tough, as when other social networking sites have a greater presence in the lives of those who prescribe to the hipster culture.
http://news.cnet.com/8301-17939_109-20075451-2/myspace-sells-to-specific-media-for-$35-million/


This was most evident in 2008 when Facebook overthrew My Space as the network of choice and began to rake in the users. This paper will discuss My Space through three time periods. First, the birth of My Space and how it became the forum for millions of youth throughout the world, second it will outline the effect My Space had on the popular music industry beginning in 2005 and finally it will conclude by sharing the reinvention of My Space and what we should look forward to in the future from the forum.
http://www.independent.co.uk/life-style/gadgets-and-tech/news/bought-for-580m-sold-for-35m-murdoch-cuts-his-myspace-losses-2304660.html


http://www.cbsnews.com/stories/2006/09/07/print/main1983044.shtml
It Takes a Global Village to Raise a My Space Child

Branding Interactivity Affinity Buzz Enthusiasm Friends Loyalty Play



http://news.cnet.com/8301-13577_3-20057544-36.html
All of the above terms have been constantly used to describe and present the phenomenon that was and will be again, My Space. In its early years My Space was the founding social media site and had millions flocking to it on a daily basis. The story of My Space begins in 2002 as an e-commerce site, euniverse, created by Chris Dewolfe and Tom Anderson.[1] At the same time, a social media site Friendster, was finding status within the online community. Due to Friendster’s dramatic shift of online users in the cultural virtual landscape, De Wolfe and Anderson decided to rebuild their euniverse and create a social media site that challenged the hard edged rules Friendster was being criticized for.

http://www.usatoday.com/tech/news/2006-01-08-myspace-teens_x.htm
These rules were predominantly directed to bands and how they could brand their online presence. Frienster would not allow bands to use their band name when building a personal site. The users would have to use their proper names.[2] By the summer of 2003[3] My Space was in its early stages, and Anderson and DeWolfe were insistent on making it a blossoming online community that supported independent musicians and allowed for fans to discover and follow their favorite unknowns. These fans were primarily the youth of the 21st century. Teenagers and their bands of choice overtook what had been the music industry.[4]


link
The Overthrowing of the Music Industry and Forever Changing How we Experience Song


The first profiles that were on My Space were Independent rock musicians from Los Angeles and New York scenesters.[5] The social media port became a place of resistance to the Hollywood norm of celebrity culture. There, youth were able to access a multitude of bands who would have been left unknown. They were able to share their finds with like-minded individuals from all over the globe. My Space was the quintessential public space of our time. “My Space profiles are often created to project an image the user would like others to perceive.”[6] This image is primarily made known through what types of bands the user listens to, and what cultural entertainment they have in common with their fellow friends and followers.
http://www.businessweek.com/magazine/content/05_50/b3963001.htm

Youth were “consuming content and discovering pop culture.”[7] Unprecedented fanbases were growing at dramatic speeds, and more independent music festivals were popping up all over the globe, and smaller festivals began to get a lot of recognition, such as Coachella and Lollapalooza. More and more people began to discover never-before-heard of artists and this practice became a signifier of cool in our society. The industry was taking notice. In 2005, Robert Murdoch bought My Space, and this resulted in the company creating their own record company, My Space Records.

http://www.myspace.com/hollywoodundead
DeWolfe describes this venture as being a kind of a hobby regardless of the fact that their first signed band Hollywood Undead surpassed expectations and sold approximately 500,000 of their first album streamed from My Space.[8]
Bands were leaving the race of being signed to the best of the music companies and doing it on their own through My Space. Kelli S. Burns has outlined in her e-book, Celeb 2.0, bands such as Artic Monkeys, REM, Black Eyed Peas, Outkast, Foo Fighters, Coldplay and performers such as Madonna, Lil’ Wayne Soulja Boy, 50 Cent all utilized My Space to connect with their fans and create a much larger and well-known fan-base than they had when being tied to the marketing divisions of large faceless companies. The musicians were now able to present their identity their way on their own terms. 
http://www.myspace.com/smashingpumpkins
At the height of My Space, Billy Corgan of the band Smashing Pumpkins, decided that it was more lucrative to offer one song at a time through the forum, then to spend a ton of money creating an album that would only be played for one or two songs.[9]

Due to the time invested by My Space users when creating public persona’s, advertisers, and especially bands came to realize the power of the online social media site. They created buzz and hype for their products by influencing the public identity through online places. “Advertisers create a higher level of intimacy incentives that reward consumers interacting with the brand’s my space account – they in turn share it with others- members do the marketing for the advertisers.”[10] This resulted in allowing users to appropriate logos from bands and other media branding for cultural events, ie: films, videos and television shows and use them on their own My Space pages. The imagery was used to denote what the user enjoyed listening to or watching, and meanwhile the multimedia companies were generating a buzz for their products.


To End is To Begin
Although, My Space was constantly growing in the early part of the 2000’s by 2008 it had been passed in usership by Facebook, and dramatically lost visitors throughout the next few years. In 2011 Murdoch sold the company to Specific Media and Justin Timberlake[11], and now we find ourselves once again, at the beginning. As I began my research into My Space, the social forum was in the spotlight. Monday January 9 2012, My Space was re-introduced to the techy world by Timberlake. The next day, the story was the top headline of all of the Tech 2.0 publications.

With high hopes of re-branding[12] and re-grouping their online content, Timberlake and his partners, with the inclusion of Panasonic, have followed in the trailblazing footsteps of the My Space of past, and are re-introducing the social media site as one that will hopefully overtake their nemesis Facebook. This will be done by their newfound form of online entertainment, without forgetting its musical roots My Space is now going to be a live streaming format of video and television programming. As Timberlake described in his conference two weeks ago, "We're ready to take television and entertainment to the next step by upgrading it to the social networking experience …. Why text or email your friends to talk about your favorite programs after they've aired when you could be sharing the experience with real-time interactivity from anywhere across the globe?"[13] My Space encompasses the fluidity of our fragmented times. There is a common reading of creativity today which posits that “everyone is an artist.”[14] Today, it should be read as “everyone is an advertiser.” One forum where people have become the media that promotes the consumption of mass culture has been and will continue to be My Space.



Bibliography:


Batchelor, Bob. The 2000’s, Greenwood Press. Westport California, 2009 http://www.bobbatchelor.com/7.html 


Burns, Kelli S. Celeb 2.0: how social media foster our fascination with popular culture, Greenwood Publishing Group. Santa Barbara, California. 2009


Graff, Gary. Smashing Pumpkins' Large-Scale Release Ideas Are 'Maxed Out,' Says Corgan, Billboard.com. September 26 2011, http://www.billboard.com/news#/news/smashing-pumpkins-large-scale-release-ideas-1005370782.story accessed January 21, 2012


Greenwald, Bill. MySpace is Reborn at Panasonic Press Conference, Unleashes Justin Timberlake, PCmag.com, January 10 2012, http://www.pcmag.com/article2/0,2817,2398677,00.asp accessed January 21, 2012


Keen, Andrew. Techcrunch.com Interview with DeWolfe, October 26 2011. http://techcrunch.com/2011/10/26/keen-on-chris-dewolfe-what-i-learned-from-the-myspace-failure-tctv/ accessed January 21, 2012


Rolling Stone Music, Justin Timberlake Debuts Myspace TV, January 10 2012, http://www.rollingstone.com/music/news/justin-timberlake-debuts-myspace-tv-20120110#ixzz1k9DhrpKo January 21, 2012


Gabbay, Nisan. MySpace Case Study: Not a purely viral start, Startup Review: Analyzing Web Success. September 10 2006. http://www.startup-review.com/blog/myspace-case-study-not-a-purely-viral-start.php accessed January 21, 2012



For Further Reading: Click the following links!














[1] Burns, Kelli S, Celeb 2.0: how social media foster our fascination with popular culture, Greenwood Publishing Group. Santa Barbara, California. 2009 p.109


[2] Burns, Kelli S, Celeb 2.0: how social media foster our fascination with popular culture, Greenwood Publishing Group. Santa Barbara, California. 2009 p.109


[3] Batchelor, Bob, The 2000’s p. 121


[4] http://www.startup-review.com/blog/myspace-case-study-not-a-purely-viral-start.php accessed January 21, 2012


[5] Burns, Kelli S p. 111


[6] ibid


[7] Batchelor, Bob, The 2000’s p. 122


[8] Keen, Andrew Interview with DeWolfe http://techcrunch.com/2011/10/26/keen-on-chris-dewolfe-what-i-learned-from-the-myspace-failure-tctv/ accessed January 21, 2012


[9] Burns, Kelli S


[10] Burns, Kelli S p.122
[11] Greenwald, Bill, MySpace is Reborn at Panasonic Press Conference, Unleashes Justin Timberlake, PCmag.com, January 10 2012, http://www.pcmag.com/article2/0,2817,2398677,00.asp accessed January 21, 2012
[12] http://www.pcmag.com/article2/0,2817,2398677,00.asp accessed January 21, 2012


[13] http://www.rollingstone.com/music/news/justin-timberlake-debuts-myspace-tv-20120110#ixzz1k9DhrpKo January 21, 2012

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